Of all the North American directors to emerge in the 1970s, few have been as consistent — and consistently fascinating — as Canadian auteur David Cronenberg, the man whose imagination unleashed Videodrome, The Fly, Crash and A History of Violence (to name just a few). His new film, A Dangerous Method, represents something of an origin piece in Cronenberg’s universe, returning to a pivotal moment in the birth of modern psychiatry that predicts the obsession with repressed sexuality, violence and the subconscious so prevalent in his work. We met the director in Los Angeles recently, where he shared his thoughts on psychiatry, hysteria, the connections between his movies… and cigars.
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